First Known Use of subterminal What made you want to look up subterminal? Ryan BlythBack to you now #3 @duanehardenmusic @hexagonhq link in bio. # # # # # #Ryan BlythAnother from Friday night. # # # #Posted by Ryan BlythPure House was bouncing last night, Awesome crowd 🙌Posted by Ryan BlythLast night at Pure house Loughborough was lit. Track: Ryan Blyth X Scrufizzer feat Rae - You & MePosted by Ryan BlythTonight in Loughborough uni was big. 🎹Ryan BlythPure house & garage at Loughborough uni tonight. Sold out event 5500 people . Goan BlythSo pleased to announce @dondiablo has done a sick edit of back to you @hexagonhq with @repostapp ・・・ Don is back with a fresh episode of Hexagon Radio featuring 5 brand new HEXAGON releases! 😎Ryan BlythBuzzing to play at this one on Friday. With @shiftk3y @georgekwali @iamsammyporter & Ollie weeks. 😎Ryan BlythAnother spin of my new track ELEVEN on BBC radio 1 last night as Dj Target opened up the show as he filled in for Mistajam. List

en back on the iplayer if you missed it. 🔥🔥🔥Ryan BlythThanks to Dj hazel @dillonfrancis & @drezomusic for playing "Back to you" @mixmagmagazine party. # # # # # # #Posted by Ryan BlythGoing in the mix on Kiss fresh now. Get tun/Ryan BlythListen back to @djtarget first play my new Banger "ELEVEN" http://www.bbc.co.uk/programmes/b07w9x46Ryan BlythTomorrow from 7pm tune into @kissfmuk as I have done a Special guest mix. # # # # # # #Ryan Blyth@dondiablo @hexagonhq HEX ADE Sampler dropping soon. # # # # # # # #Ryan Blyth updated their profile picture.Ryan BlythThat's one big wheelie 🚴 @hexagonhq @duanehardenmusic # # #Posted by Ryan BlythYES female DJs 😎Ryan BlythOn a roll 📝 another boxed offRyan BlythKeep up to date with my music on @spotifyeTutor - kurs angielskiego online. (Adjective) grzeczny, uprzejmy, życzliwy, przyjazny; in an mood - w pogodnym nastroju; Słownik angielsko-polski EXETER Copyright © http://www.kastor.strefa.pl. Wojskowy słownik angielsko-polski Copyright by Wydawnictwo HaraldG (aut.

ECTACO słownik angielsko-polski Słowniki elektroniczne Ectaco do nabycia u wydawcy How amiable are thy tabernacles, O Jehovah of hosts!Przedniejszemu śpiewakowi na Gittyt, synom Korego psalm! Expedient control of the EU border with Andorra, a principality in between two large EU countries, France and Spain, will ensure a more profitable and amiable relationship in the future.Stosowne kontrole na granicy UE z Andorą - księstwem położonym między dwoma dużymi państwami Unii: Francją i Hiszpanią - zapewnią bardziej korzystne i przyjazne relacje w przyszłości. Previous portraits have tended to emphasise the contrast between his vertiginous hobby and the amiable normality of his daily life as an Essex roofer; albeit one who prepares for a night of urban freefall by laying his parachute out on the bed in the spare room of the semi he shares with his girlfriend. The title track of the album also addressed a real-life situation: Skinner's struggle with the boutique record label that he'd set up with his manager, the amiable Ted Mayhem, which they called the Beats.

It's big on ornate fireplaces, chandeliers, carved hardwood, bits of Hindu temple (the owner, the amiable Ashok Sahdev, collects antiques). Michael Caine played a washed up, amiable pilot named Hoagie who has a romance with Ellen Brody, widow of the character played by Roy Scheider in the original. Martin an amiable young man, and so very attracted to me.Ale myślę, że pan Martin jest uprzejmym młodym człowiekiem, i tak zakochanym we mnie.chandelier saint ursanne You are amiable as usual, didn't change at all.Życzliwy jak zwykle. best buy lighting lusakaW ogóle się nie zmieniłeś.murano glass chandelier dwr I think him everything that is amiable and worthy.Myślę, że jest uprzejmy i posiada same zalety.

Maybe we can all walk away amiable enemies.Może jeszcze da się wszystko załatwić na spokojnie. I'll leave Sweden a much more amiable country.Zostawię Szwecję jako dużo bardziej przyjemny kraj. An amiable young man... full of noble thoughts and deeds.Przyjacielski młody mężczyzna... pełen szlachetnych myśli i uczynków. He appeared balanced, amiable, somewhat remorseful and very frank.Wydawał się zrównoważony, uprzejmy, nieco skruszony i bardzo otwarty. Oh, now, that's not very amiable, is it?Oł, to chyba nie było zbyt uprzejme, prawda? Edward is very amiable. But... for me, there is something wanting.Edward jest nader miły, ale mnie czegoś w nim brakuje. Miss Catherine Morland, a very amiable girl, very rich, too.Panna Catherine Morland, bardzo urocza i bardzo bogata. An amiable man could not object.Żaden uprzejmy człowiek nie może ich nie lubić. I wish I could call her amiable.Chciałbym móc ją nazwać miłą. Edward is very amiable.

Edward jest bardzo uprzejmy. Louisa Musgrove is a very amiable, sweet-tempered girl, and not unintelligent, but...Luiza Musgrove jest bardzo sympatyczną, zrównoważoną dziewczyną, i wcale nie głupią, ale...BUY FROM AMAZON: CLICK HERE! • Ridley Scott Commentary • John Spaihts and Damon Lindelof Commentary • The Peter Weyland Files • Deleted and Alternate Scenes Space Jockey: The Motion Picture. Noomi Rapace, Michael Fassbender, Charlize Theron, Idris Elba, Guy Pearce, Ridley Scott In 2089, super-rich eccentric Charles Weyland (Guy Pearce) decides to fund a space journey to LV-223, a moon that anthropologist Elizabeth Shaw (Noomi Rapace) believes may be inhabited by a superior race of alien “engineers”. When the crew of the spaceship Prometheus touches down on LV-223, what they discover may destroy the human race.Coming up with answers to the questions that fans have had since 1979 is hard. As an Alien franchise mega-fan, I wanted some frickin’ answers.

The single most disappointing thing about Prometheus is that it doesn’t really attempt to provide answers (at least not directly). Despite the massive disappointment that Prometheus delivers, Ridley Scott still gave us a gorgeous and icky (albeit clumsily written) creature feature. Visually, Prometheus is pitch perfect. Production designer Arthur Max built a fascinating twist on Ron Cobb’s futurist aesthetic. The Prometheus is a multi-trillionaire’s extravagant space yacht, outfitted for exploration (and comfort, oddly enough). The ship is so beautiful that I really wish we could’ve spent more time in it. Hallways freeze with blue light. Cryo-chambers glow with sickly yellow gas. A chandelier dangles above a futuristic grand piano. H.R. Giger’s grotesque design motifs are also beautifully depicted, doing great justice to Giger’s original vision. The Derelict ship from Alien has become a fully realized idea. The Space Jockey has finally been demystified, and while many were disappointed with the reveal of the marble-skinned humanoid Engineers, I was satisfied to finally know what Ridley Scott had in mind.

I had literal goosebumps when the Space Jockey chair rose up out of the floor. Simply put, costume designer Janty Yates fucking nailed the costumes for Prometheus. These are Oscar-worthy designs, combining practicality with whimsical retro-future concepts. Charlize Theron’s stunning silver suit really helps define her character’s stuck-up posture and icy attitude. The bubble-headed space suits could’ve looked very silly, but they end up looking very sexy. Dariusz Wolski’s lighting and camera work is bloody fantastic, especially aboard the Prometheus. This combined with Ridley Scott’s eye for composition makes for some of the best cinematography I’ve seen this year. Also, Prometheus might be one of the few films worth seeing in 3D this year. Holographic displays extend deep into the screen, adding a much-needed dimensionality to the interface that Idris Elba stares at throughout the film. The film also delivers on the icky creature factor as well, but not as you would expect.

I like the monsters we got, even if they weren’t xenomorphs. The “Trilobite” squid-baby is shockingly disgusting on a deeply visceral level. The most effective scenes in Prometheus are the introduction and birth of this tentacled monstrosity. The way Michael Fassbender says, “It’s not exactly a traditional fetus” gives me the willies every time. Speaking of Michael Fassbender, his performance is unparalleled in this film. He is the film’s brightest spot, by far. The sequences of him wandering around in flip-flops or bleaching his hair aboard the dark Prometheus are utterly fascinating. Noomi Rapace is damn good here, too, but Elizabeth Shaw is no Lisbeth Salander. The rest of the film’s acting ranges from good to merely adequate. Logan Marshall-Green’s performance as Holloway stands out as particularly odd. I don’t think he’s a bad actor, but his character is very poorly written. Charlize Theron plays a fantastic ice queen as Meredith Vickers, but some of her emotional beats feel contrived.

Her family ties to Weyland are an unnecessary addition. Her character arc would’ve been just as effective if Weyland was a father figure, and not her actual father. The character of Charles Weyland is a total misfire. Guy Pearce gets put into old-man-prosthetics for a few scenes, and for what? Evidently there was a dream sequence cut from the film that featured a younger Weyland. The film obviously works better without the dream sequence, so I would have rather seen someone like Christopher Lee show up for a brief cameo and be done with it. Another script-related issue is the complete lack of chemistry between any of our characters. One thing that Alien did so well was letting the cast act like a small blue-collar family. The crew had a tangible history. They had alliances and grudges. You really got the sense that the crew of the Nostromo were breathing each other’s air for a long time. In Prometheus, all of our characters are woken from hypersleep with no idea who anybody else is or why they’ve been transported so far into space.

They’re all introduced to one another literally minutes before they’re forced to start working together, and this results in some very bad chemistry. Any attempts to let the characters bond over conversation feels bungled. None of them want to get along, and they’re all constantly at each other’s throats. Another factor contributing to the lack of chemistry is that the film is loaded with too many characters, a problem that last year’s The Thing prequel had. There were too many nameless characters around strictly to create a body count. The dialogue is quite spotty throughout most of the film, and performances never attain the natural cadence that the Nostromo’s crew had. It feels like the cast was just directed to read heavy-handed expository dialogue right off the page. Most attempts at characterization felt forced, such as Janek (Idris Elba) playing the accordion, or Shaw’s stubborn religious beliefs. If Ridley Scott had just let these actors improvise a bit more, perhaps we would have seen some great character interactions.

There are still little character gems, like when Milburn (Rafe Spall) bumps his helmet against Fifield’s (Sean Harris) or when the ship’s copilots (Emun Elliott and Benedict Wong) share a few laughs. The film lingers for too long after its kamikaze climax, clumsily setting up a sequel. Sure, there’s some great monster-on-monster action in these last few minutes, but it feels like an untidy denouement. The slimy final scene is a point of contention with some Alien fans, but I don’t mind it. As long as Ridley Scott is putting slimy alien monsters in front of the camera, I’ll be watching. Prometheus is a film obsessed with questions. Poor storytelling has allowed this film to pass without giving up any real answers, resulting in a less-than-satisfying experience for many viewers. Some of those viewers decided to direct their vitriol and disappointment at Damon Lindelof, but after reading John Spaihts’ draft of the screenplay I can say with confidence that Prometheus is more deeply flawed, even at the conceptual level.

It has a lot of great ideas, but doesn’t really know what to do with them. Somewhere along the way, Ridley Scott, John Spaihts, and Damon Lindelof got too wrapped up in the heady mythological ideas and neglected to tell us a satisfying narrative. Nevertheless, when Prometheus does things right, it gets them very, very right. I just wish it wasn’t such a mixed bag. It certainly isn’t the Alien prequel we wanted it to be, but if you’re able to forgive Prometheus‘ rough spots, you’ll find a nasty sci-fi creature romp that’s very easy on the eyes. This two-disc set is a wonderful presentation, with reference-level quality video and audio. Prometheus was shot with RED cameras, which can tend make the image look too clean. To prevent this over-clean look, it appears that Prometheus has some added grain to make the transfer look more like celluloid. It’s a damn fine transfer, with no excess sharpening, no noticeable artifacts, and lovely black levels. The DTS-HD Master Audio 7.1 is one of the best audio tracks I’ve heard at home in 2012.

Ridley Scott’s commentary is very disappointing, which is unlike him. He seems very proud of the film, and spends a large amount of the running time just describing what we’re seeing on screen. It’s got a few tasty nuggets of info, but it’s nowhere near as interesting as the Lindelof/Spaihts commentary. Spaihts and Lindelof seem to dislike each other, so it makes sense that they were recorded separately. The deleted/alternate scenes are a great supplement, but I can see why they were excised or re-shot. There are a few moments that I wish were still in the final cut, but most of these scenes belong on the cutting room floor. The Peter Weyland Files is a collection of the viral videos used to promote the film. You can find most of these videos on YouTube, but it’s still nice to have them here. There’s also a DVD copy of the film included, along with iTunes and Ultraviolet copies. I find it difficult to recommend this two-disc set when the four-disc collector’s edition is so much better.