CHERRY BOMB FRINGE CHANDELIER PRICEPricing information available upon request AVAILABILITYMade to order, 16 week lead time ABOUTCherry Bomb Fringe is a modular system of slender brass tubing, punctuated with hand-blown mini-globes that have been rolled in 24k gold foil. Delicate brass chain drapes off of the metal armature, creating an effect similar to Spanish Moss on a Live Oak tree. The design is practical in that each piece can be installed individually as a sconce or ceiling light, or combined to create an immersive room installation. Designed exclusively for Nilufar Gallery, Milan. Download PDF tear sheets and ZIPs below CHERRY BOMB TERMS AND CONDITIONSCBF.06.02 SPECIFICATIONSCBF.06.03 SPECIFICATIONSCBF.07.03 SPECIFICATIONSCBF.09.02 SPECIFICATIONSCBF.10.02 SPECIFICATIONS We can help you directly from our studio via phone, email or studio visit; or please visit these stores. NEW YORKALSO AVAILABLE THROUGH: LINDSEY ADELMAN STUDIOPRIVATE SHOWROOM1 GREAT JONES STREETPLEASE CONTACT US FOR AN APPOINTMENTT 212 473 2501online

NILUFAR32 VIA DELLA SPIGAT 39 02 780193online NILUFAR DEPOTVIALE VINCENZO LANCETTI, 34T +39 02 3659 0800online Share CHERRY BOMB FRINGE CHANDELIER with a friend. Would you like to join our mailing list? Multi-piece Cherry Bomb Fringe Chandelier installationin brushed brass with white and gold globesNilufar Depot, Salone del Mobile 2016Photo by Lauren ColemanThe 'Lampadario Acustico' as installed at the Casa del Suono in Parma, Italy. The CdS is a museum of the history of sound reproduction, an initiative of the city of Parma. It is housed in the beautifully restored Chiesa Santa Elisabetta, which was almost in ruins just two years ago. The chandelier consists of 228 speakers focussing sounds in the area below the installation, and giving the listeners the impression that the sound is coming from invisible sources moving just above and around their heads. Synthesis of the 64 channels is done in real time on a Linux based computer driving 64 amplifiers

via an RME MADI interface. The movement of the virtual sound sources is controlled by automation tracks in Ardour, which send OSC commands to theThe installation is part of the museum exhibits and plays an original composition specially made for it by Martino Traversa. The system was designed and built by Paolo Martignon (system design, simulations), Daniele Torelli (software), Paolo Galaverna and Stefano Cantadori (design, construction supervision) and Fons Adriaensen (system design, software, simulations).CHERRY BOMB CAGE CHANDELIER CBC.29.01H 54in/137cm  W 61in/155cm  D 59in/150cm    WT 60lb/152kg ABOUTCherry Bomb Cage chandeliers feature oversized brass armatures and hand-blown mini-globes, recalling underwater cages and traps with small sea bubbles clinging to their surfaces. CHERRY BOMB TERMS AND CONDITIONSCHERRY BOMB CAGE CHANDELIER CBC.29.01 SPECIFICATIONS Share CHERRY BOMB CAGE CHANDELIER CBC.29.01 with a friend. CBC.29.01 in brushed brass with white and gold globesPhoto by Lauren Coleman

Influenced by a diverse range of artists including Alexander Calder and the West Coast nun Sister Corita, multimedia artist Pae White merges art, design, and craft in works that transform ordinary materials into ephemeral objects and installations. chandelier fixture or chattelFor Smoke Knows (2009), a cotton and polyester tapestry that depicts a plume of smoke—the immateriality of the subject contrasting with the physicality of the fabric—White worked from photographic images of smoke. chandelier stop amibrokerShe has also created site-specific installations from vast quantities of yarn, and hanging mobiles composed of fragments of hand painted cardboard or hexagonal pieces of mirror suspended on string. chandelier 2097/30Other works include cobwebs that White spray paints and affixes to paper.

American, b. 1963, Pasadena, California, based in Los Angeles, CaliforniaMy Highlights From Art Basel in Hong KongJeffrey DeitchGo to Pae White’s Artist Page Stickbulb Sky Bang Chandelier Large – X Collection Stickbulb is a New York City-based manufacturer of contemporary lighting founded by Russell Greenberg and Christopher Beardsley in 2012. The company and its products are a creation of RUX, a multidisciplinary design company founded in 2008 by creative director Russell Greenberg. The X Collection combines cast brass hardware with Stickbulb’s iconic and sustainable wooden luminaries. “It stays true to the modular intent of Stickbulb”, says co-founder Chris Beardsley. “Architectural forms as big as rooms or as small as side tables can be created from the same basic parts. There is magic in the system’s simplicity and its ability to scale in size”. Price is VAT included FRENCH GOLD CHANDELIER WITH SCHOLER CRYSTAL Subscribe to our newsletter

Chandelier celebration: Lasvit swings into Palazzo Serbelloni for Salone del Mobile Czech glass company Lasvit has snapped up the Napoleonic Staterooms at the Palazzo Serbelloni for a show-stopping Salone del Mobile exhibition of their new lighting and homeware collections. Pictured: the Napoleonic Staterooms at the Palazzo Serbelloni Pictured: the restored 18th century Bohemian crystal chandeliers in the Napoleonic Staterooms at the Palazzo Serbelloni Lasvit presented André Fu's 'TAC/TILE' family of horizontal and vertical pendants and lamps (pictured) The Fu pieces all feature a beautifully understated modernist glass brick-inspired hand-blown glass tile. Pictured: 'TAC/TILE', by André Fu, 2016 Lasvit also present Moritz Waldemeyer's perfectly geometrical hexagonal glass 'Facet' chandelier. Pictured: 'Facet' (and detail), by Moritz Waldemeyer, 2016 Also on display is Maurizio Galante's 'Ludwig' (pictured) – a reworking of neoclassical chandelier proportions with a mass of curvaceous industrial glass tubes

The standout piece is this macabre Maxim Velčovský 'Memento Mori' chandelier inspired by a historic Czech chapel decorated with skeletons in 1870 The final chamber explores Lasvit's eclectic glassware collection with the Campana Brother's exuberant 'Candy' glasses and vases (pictured) Michaela Mertlová presents 'Munchies' (pictured), a series of candy-coloured bubble-gum sculptures featuring the artist's teethmarks Rather than relying on the enormous scale and opulent decoration of the rooms to set the scene, Lasvit introduced defined, staged areas in which the modern works sit comfortably Pictured: installation view of the sleek black cubist igloo-like structures that contain the new works Spectacular exhibitions around the city are the norm during Milan's annual design week, the jostling for prime locations starting a year ahead of time. Kudos then to Czech glass company Lasvit who, having spent the past year restoring the 18th century Bohemian crystal chandeliers in the Napoleonic Staterooms at the Palazzo Serbelloni, snapped it up for a show-stopping exhibition of their new lighting and homeware collections.

But rather than relying on the enormous scale and opulent decoration of the rooms to set the scene, Lasvit cleverly introduced a series of sleek black cubist igloo-like structures within which you'll find the likes of Wallpaper* Handmade 2016 designer André Fu's 'TAC/TILE' family of horizontal and vertical pendants and lamps, each featuring a beautifully understated modernist glass brick-inspired hand-blown glass tile. Further within, eight extravagant, ultra contemporary works include Moritz Waldemeyer's perfectly geometrical hexagonal glass 'Facet' chandelier; a playful nod to the lollipop with Boris Klimek's amorphous glass plate pendant lights; and Maurizio Galante's 'Ludwig', a reworking of neoclassical chandelier proportions with a mass of curvaceous industrial glass tubes. The standout piece is Maxim Velčovský's macabre 'Memento Mori' chandelier, inspired by a historic Czech chapel decorated with skeletons in 1870. The final chamber is dedicated to Lasvit's eclectic glassware collection with the Campana Brothers' exuberant 'Candy' glasses and vases, Daniel Libeskind's sharply angular 'Ice' vases, and Michaela Mertlová's candy-coloured bubble-gum sculptures featuring the artist's teethmarks.

Meanwhile, on the ground floor, an eerie glowing green 3.3m high Intergalactic 'meteor' sculpture bristling with 1,500 individually illuminated hand made uranium glass bubbles by Lasvit in-house designers Petra Krausová and Libor Sošťák, was inspired by an asteroid that crashed to earth some 14 million years ago. Combining this rare natural glass with advanced lighting technology programmed for different effects and controlled by a mobile phone, the designers prove it is perfectly possible to blend tradition with inventive design.  For more information, visit Lasvit's website Apple gears up for London flagship re-opening, with new look by Foster + Partners New in the W* House: a geometric aluminium palindrome that can be both stool or bowl Studio Swine resurrects Fordlandia, Henry Ford’s lost Amazon utopia The Campana brothers put a humble Brazilian brick centre stage at Aesop's latest store Lee Broom makes the leap stateside with New York showroom debut

Google's life-enhancing gadget suite brings a new edge to your world Zaha Hadid experiments with walnut in her final collection for David Gill Gallery The long game: B&B Italia’s Giorgio Busnelli dreams big for the future Melrose Place maker: Ben Soleimani on reinventing a tired patch of West Hollywood Luminaire auctions Campana brothers, Nendo and Marcel Wanders works (and more) in Miami La Chance brings a contemporary flourish to art deco furniture in New York On the button: hunting for unidentified acts of design in Huaqiangbei Ronan & Erwan Bouroullec take glassblowing to the extreme for Galerie Kreo As PAD London turns 10, fair debutant Joseph Walsh brings something new to the table Stardust memories: Picky Nicky reminisces on the thrills and spills of working for Wallpaper* Still life: brandy distiller Christoph Keller explains how art influences his business Counter revolution: Tom Dixon brings the heat to Vancouver IDS

Sloping beauty: Patricia Urquiola reaches mountain high with tableware for Georg Jensen Martino Gamper and friends collaborate on ceramics that are anything but ordinary Frette and Dimore Studio make perfect bedfellows for new London store Raising the bar: Noé Duchaufour-Lawrance's immersive lounge for Perrier-Jouët 'California high kitsch': Peter Shire's ceramics travel to New York's Derek Eller Gallery In the frame: standout designs from around the globe Luxury home décor brand L'Objet opens its first retail store in New York's West Village Demon drink: designers create cocktails for Brompton Design District's 10th anniversary W* House: This gradient-hued vessel was the result of decorative experimentations Rafael de Cárdenas gives Demisch Danant's West Village gallery an injection of Gallic cool The late Vladimir Kagan’s final furniture collection debuts in New York Art of the game: Dots debuts 'Play Beautifully' campaign

Brutal beauty: David Umemoto creates a monumental concrete vase Designer drapes: Doshi Levien launches Kvadrat curtain range and installation at LDF A delicate strip of gold holds up this collection of tableware in the W* House Making it: with a thriving ‘maker’ culture, Shenzhen is becoming a creative capital of China New in the W* House: Japanese vessels that enhance the liquid inside Public offering: Dimore Studio and The Future Perfect team up on a retail reveal Helsinki Design Week 2016 reveals a Finland steeped in tradition, with an eye on its future Future visions: Zaha Hadid inspires innovative design exhibition at Maison Mais Non Sir Kenneth Grange, Bethan Laura Wood, David Adjaye and Daan Roosegaarde win London Design Medals 2016 Pop-coloured Louis Poulsen editions brighten up the W* House In-room perks: Ace Hotel's experimental designer collaborations at LDF Fierce Focus/16: the Wallpaper* edit of new collections at Design Centre, Chelsea Harbour