We've looked practically everywhere. and the page you're looking for is simply nowhere to be found. Kindly check the URL, head to the homepage or try a new search. If you continue to get this page, contact us and we'll get you back browsing brilliantly in no time.A playful color scheme cooks up a preppy vibe in this Druid Hills kitchen Plus, find out where you can get the look Photograph by Emily Followill Photograph b Emily Followill Pink and green in a historic Druid Hills kitchen? Bring it on, says homeowner Katie Newsom, who has always loved preppy colors but didn’t expect to use them in her kitchen. She and her husband, Sedgie, originally planned a white kitchen, as would be traditional for their Mediterranean Revival house. “We wanted to make a modern version of a 1920s kitchen but still keep the historic feeling of the house,” says Newsom. However, Newsom had bonded with her interior designer, Katie Rosenfeld, partly over a mutual love for bright colors.

Rosenfeld is actually based in Massachusetts, but the two met online through a blog about chinoiserie. Surprisingly, they found they had both graduated from Boston College and had friends in common. Working long distance, the two Katies fell in love with a striking Osborne & Little fabric, “Maharani,” and its whimsical hot-pink-and-green pomegranate pattern became a starting point for the kitchen’s distinctive style. “After we picked that fabric, I suggested to her that the backsplash be green,” says Rosenfeld. “It had that preppy vibe Katie loves, and looked great against the white.”Because Sedgie (a dentist by day) is the main cook in the family, Newsom jokes that it’s his kitchen, and she just had the pleasure of decorating it. In other words, function and form were his-and-hers priorities. The original kitchen in the house—as was customary for the time period—was a small, dark space, which has now been remodeled into Katie Newsom’s home office. To create a light-filled, more efficient new kitchen, architect Frank Neely designed a multiroom addition on the back of the house.

The oversized island, double dishwashers, and top-of-the-line appliances accommodate entertaining, says Newsom, such as Sedgie’s famous New Orleans–style dinners or her annual “Southern Supper” for friends and family.chandelier cake kaley cuoco Newsom, who is a lawyer, says her tactical skills came in handy throughout the process, as she and Sedgie negotiated features important to each of them. waterford crystal lamp identificationShe got the green backsplash; chandelier argent massif christoflehe got a Thermador range. They both appreciate the large island and plenty of workspace. Rosenfeld is also a fan of the spherical brass-and-white pendants. Brass accents appear throughout the kitchen as a nod to retro style.

And Newsom loves to see the vintage brass bamboo chandelier—originally purchased by her mother in the 1970s— hanging in the breakfast room. Love that preppy style? Here’s where you can find similar furnishings. Photograph by Emily Followill Backsplash tile: Custom green glass bricks, DiscoverTile. Brass pendants: Hicks by Thomas O’Brien (large), Visual Comfort. Window treatment fabric: “Maharani,” Osborne & Little. Hardware: House of Antique Hardware. Barstools: Monaco with Manuel Canovas indoor-outdoor fabric, Kravet. Breakfast room table: Saarinen pedestal table, Knoll. Dining chairs: Hoop-back chairs, Century Furniture; Butler’s pantry paint color: “Rosemary Green,” Benjamin Moore. Countertops: Alabama white marble, Bottega Stone. Faucet: Country Kitchen collection, Rohl. This article originally appeared in the Summer issue of Atlanta Magazine’s HOME. Heritage Hotels & Resorts Unique New Mexico Hotels With Cultural Design Hotels that tell New Mexico's cultural history

Here’s a snapshot of the cultural design and character of each of our distinctive New Mexico hotels and resorts: Hotel Albuquerque at Old Town is a 188-room full-service hotel that exemplifies “Albuquerque Style,” a unique fusion of New Mexico’s distinct cultural influences. The hotel incorporates interior design features from the historical Alvarado Hotel, the Franciscan Hotel and the significant building designs created by John Gaw Meem for the University of New Mexico campus. Hotel Albuquerque, nestled in the historic Old Town and museum district of Albuquerque, allows guests to discover more than 400 years of history and native New Mexican heritage. The hotel’s turn-of-the-century elegance draws on classic territorial details. The hotel grounds are especially impressive containing, as they do, a 19th century style New Mexican chapel and courtyard as well as formal Spanish gardens and a Victorian style pavilion. These touches make the hotel particularly appealing to wedding and event planners.

Hotel Chaco in Albuquerque is the first Heritage Hotel & Resort property built from the ground up. The hotel is designed by award-winning architectural firm Gensler with interior design by Kris Lajeskie. The hotel tells the story of the ancient culture of Chaco Canyon, a UNESCO World Heritage Site and National Park located in Northwestern New Mexico. The architecture of the hotel is aligned to the movements of the sun just as the architecture of Chaco Canyon is. The hotel features original commissioned work by a number of prominent contemporary Native American artists. Hotel Chimayó de Santa Fe offers visitors a glimpse into the magical culture of Chimayó, a distinctive Northern New Mexico community. Visitors to Hotel Chimayó  encounter a variety of custom artwork, collected from more than 70 Chimayó artists. Chimayó community members crafted 500 hand-made crosses from found materials to accent the fireplace mantels in each hotel room. Weavings designed and crafted by award-winning Chimayó artists adorn the lobby and hotel rooms.

Low ‘n Slow Lowrider Bar at the Hotel Chimayó de Santa Fe features authentic lowrider elements crafted by Chimayó specialists. Named after the book “Low ‘n Slow – Lowriding in New Mexico” by Jack Parsons and Carmella Padilla, the bar is designed to capture the essence of the low-rider culture ― its exuberance, style and artistry. On the street outside the bar will be an exclusive “Lowrider Only” reserved parking space. Hotel Encanto de Las Cruces is the most significant Southern New Mexico hotel featuring the grand Spanish Colonial style, a style that has its roots in Spain and colonial Mexico. It was most prevalent in local architecture in the late 1800’s and early 1900’s.  Dramatic, culturally driven improvements with historical references feature vibrant colors, rich fabrics and textures, one-of-a-kind signature pieces from Old Mexico and furnishings modeled after pieces from the New Mexico Museum Foundation’s historical collection. Hotel St. Francis is Santa Fe’s oldest hotel and is listed on the National Register of Historic Places.

Recently remodeled (it was formerly the De Vargas hotel), the design is a reflection of the simple and spiritual style of the Franciscan Missionary Order. Peace and tranquility are key underlying elements in the serene hotel design. The lobby is resplendent in white marble, which reflects the flickering light of candles spaced throughout. A large stone baptismal font is the lobby's focal point. Simply designed wood and leather furniture add comfort and style. Carpets are inspired by the natural shades of wool from the churro sheep brought to New Mexico by Spanish missionaries. The hotel in its entirety is a refuge from busy modern life. Palacio de Marquesa is a luxury 8-room inn in Taos. Each room is named and designed to honor a different remarkable woman of Taos. The interior design mixes contemporary furniture with classic New Mexican designs. Each room also has a custom illustration of each woman as illustrated by New Mexican artist Audrey Bell. Women honored include Mabel Dodge Luhan, Georgia O'Keeffe, Agnes Martin, Dorothy Brett, Martha Reed and others.

The Lodge at Santa Fe is inspired by the legendary building traditions of the Puebloan Ancient Ones. It pays tribute to their foundational culture, visible atop the hills of Santa Fe. Traditional pueblo building methods and materials like those found at the ancient dwellings of Chaco Canyon lend the hotel a distinctive look and feel, while the dramatic views, which include the Sangre de Cristo Mountains beyond and downtown Santa Fe below, add an undeniable sense of place. A 28-foot tall circular stone kiva tower ceremoniously marks the hotel’s entrance. From the cowhide-covered chairs that adorn the lobby to the coyote fencing and the intimate on-site chapel and courtyard, this hotel offers guests a truly unique experience. Nativo Lodge in Albuquerque reawakens the imaginative spirit of the adventurous traveler searching for a unique venue. The hotel's design pays homage to a rich and vibrant culture while integrating the modern elements of the surrounding city. The hotel's architectural detailing is rich in cultural symbolism but contemporary in expression.