Oscar 3 seater sofa Cast Acanthus Leaves on Stands Smoky Rock Crystal and Bronze Lamp Arctic Pear Chandelier Round 120 Extra Long 1960's Capitonné Sofa 1940s French Mustache Leather Club Swivel Chair Professor's Leather Chair With Nailheads Churchill Leather Chair with Nailheads Hyde Leather Club Chair Professor's Leather Double Chair With Nailheads Professor's Leather Double Chair 10' Maxwell Leather Sofa 1940s French Mustache Leather Club Chair Sie müssen sich erst einloggen. Das sollten Sie nicht verpassen! Erhalten Sie stets die aktuellsten Informationen zu unseren neuen Produkten, Webseitefunktionen und Sonderangebote. Teilen Sie uns Ihre Meinung mit Designconnected belohnt Ihre Loyalität! Großzügige Rabatte für Großeinkäufe! Je mehr Sie kaufen, desto mehr sparen Sie. Jeder Kauf bringt Sie einen Schritt näher zu den speziellen Discounts für loyale Mitglieder. For purchases from 100 to 399 you get 10% Discount

For purchases from 400 to 799 you get 15% Discount For purchases from 800 to 1599 you get 20% Discount For purchases over 1600 you get 25% Discount Members with orders of more than 300 in total get 2% Discount Members with orders of more than 600 in total get 5% Discount Members with orders of more than 1200 in total get 7% Discount Members with orders of more than 1600 in total get 10% Discountchandelier hire gauteng *These bulk purchase discounts do not apply in combination with discount vouchers.dale chihuly chandelier harrods *alle Summen sind in Eurochandelier cleveland playhouse *discount for all future purchases Designconnected rewards your loyalty! Get great discounts for bulk purchases!

The more models you purchase the more money you save. Every purchase you make brings you closer to additional loyal members' discounts. For purchases from 100 to 399 you get 10% discount For purchases from 400 to 799 you get 15% discount For purchases from 800 to 1599 you get 20% discount For purchases over 1600 you get 25% discount Members with orders of more than 300 in total get 2% discount Members with orders of more than 600 in total get 5% discount Members with orders of more than 1200 in total get 7% discount Members with orders of more than 1600 in total get 10% discount *all amounts are in Euro love a lot, and there’s a lot to love, about Holiday House. It’s the annual Manhattan charity show house, now in its fifth year, and this year benefitting the Breast Cancer Research Foundation, a venture of the venerable Lauder family. thirty spaces, rooms and passages are transformed by interior designers and architects (along with armies of upholsters, painters, cabinetmakers,

volunteers, paperhangers, florists and stylists). But it’s also not just an exercise in décor... it’s themed decorating at its finest, in all its finery, as the designers also add a holiday interpretation on top of their design plan. the years, designers have dealt with these period-ready rooms (some have been backdrops for HBO's Boardwalk Empire) in a multitude of ways, either giving into the existing vibe and bones, or updating the traditional spaces with modern art and broad strokes in an attempt to upstage the diva they’ve been dealt. successes seem to come, mostly, from working with, not against the rooms (Charles Pavarini’s Thanksgiving dining room, and Bradley Thiergartner’s Christmas entry from years past, most notable among those successes). But whether success or near miss (there are generally no failures here), it is delightful to see the spaces get attention from another annual the charge of the art brigade was Inson Dubois Wood, whose partnership with luxury brands Hermes, Lladró and Promemoria,

and his “Carnavale” theme, yielded a riot of color, shape, texture, and pattern, in a room already lacking none of the above. love-it-or-hate-it room, but it’s sure to garner the bulk of the conversationIt’s a Salvador Dali production of Alice in Wonderland, or the barcarolle scene from Act III of Tales of Hoffman, after a big gulp of absinthe. one of the most exuberant showhouse rooms I’ve ever wandering into, amazed andAs a room that people are going to run home and duplicate, probably notsomuch, but that seems far from the intent of the same designer who wowed here last year with his lacquer red box of Chinese New Year. As a designer looking to garner clients, this assemblage is perhaps also a risk, but the bravado of this showhouse showman has to be admired either way. pictured, but of art-installation note: the Christmas yoga room of Stephanie Odegard, actually two adjoining rooms. One, felt-cloaked with a custom Tibetan

the other, a room where Tibetan monks were making sand mandalas... far more living art than living room. Other rooms also fit the bill, closer to store window installations than show house room. What was black and white and dramatic all over was the easily pegged room of Geoffrey Bradfield. His signature crisp drama, and his love of white as a color, limited palettes and floating seating groupings all made walking into this room a familiar experience to anyone who has picked up a copy of Architectural Digest in the past decade or two, where he makes frequent appearance. “I can name that designer in three notes” rooms included Vicente Wolf, and to a lesser extent, design and social media mavenVicente’s room had his elegant thumbprint all over it: barely-there glass green, Asian influence, an anachronistic mix of eras, and confident, dark notes against a pale backdrop. When you Wikipedia "Vicente," if Wikipedia had pictures, this room would be it.

Tobi Fairley dialed her normal high volume color choices down a notch but still stayed true to her identifiable signature style. It was a nod, said this buoyant and omnipresent Arkansas designer, to a more refined New York audience, who, for all their sophistication, still seems a little color-wary. With limited choices and an overall backdrop of (Trend Alert!) printed grasscloth (from Phillip Jeffries), this room was graphic and crisp, but every bit as color confident as this gal normally is, and Exhibit A why the magazines seem to love her. It yielded a breezy Palm Beach-meets-Hollywood Regency room (where last year, James Rixner taught us life is indeed like a box of chocolates), all floating above a black area carpet (sisal?) to keep the sugar content from rising too high. more classic showroom fashion, Holiday House veteran Ally Coulter told a deep and layered story for her cheeky spin on Father’s Day, for a real DILFF (that’s “Daddy I’d love to furnish for”).

year, Ally spun a decidedly more feminine yarn with her Hollywood-glam, Mommy-Dearest-fantastic take on Mother’s Day, and like that effort last year, this is the kind of room you get hired from and for. Charlotte Moss managed two trends of the house: that walk-in, recognizable, signature style, magazine look, plus classicLike Ally’s room, Charlotte’s was propped to tell a real story about the inhabitant, in this case a classic but modeern woman destined to split her time between the Upper East Side, the south shore, and perhaps Darien. is a more traditional take on showhouse style than Charlotte’s boxwood aerie for Kips Bay, and she managed to activate the entire large volume of roomFavorite spot was the tea table and window banquette, where an afternoon could be whiled away with cucumber sandwiches or Apple I’m not saying this house should read like Party City, but past years have managed to strike a balance between holiday

theme and high-design room... Suzanne Eason’s Halloween, Bryant Keller's Columbus Day, and James Rixner’s Valentines Day, all perfect examples. Sure, most holidays have been done before, but that’s the fun of it: seeing how a new batch of designers steers clear of theme cliché and expected holiday palette pitfalls. has proven to be too big a beast to be properly tamed, although the sculptural and poetic pieces chosen this year by Huntley & Co. helped zone and define a space bigger than most Manhattan apartments. But even the best laid plans and sharpest eye (and Huntley & Co. had both) still leave this room perennially feeling slightly unfinished year after year. Their Intrepid-scaled sofas were all but swallowed up, as one example. I would have loved their work even more if it existed in a space one-half the size. To make this space work next year, two thoughts: Give this room to a real design headliner, to make it a draw and a destination, and make it someone with enough