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Nuna MIXX Travel System in JETT Includes Stroller, Bassinet, And Car Seat System! Inspired by today’s stylish family and their jet-setting lifestyle. Nuna’s first collection blends cool grey hues, strong statement black accents and tailor-made fabrics for a sleek, coveted look. Available on the MIXX™ stroller bassinet set and the PIPA™ infant car seat, creating a system ready for even the most elite of travels. MIXX bassinet connects directly with the stroller frame and is included with purchase luxe hand-sewn leather-look arm and push bars hand-picked tweed textiles blend together for a smart look dark matte frame perfectly fuses metallic features with cool hues chrome accented black wheels spin in style twice as nice canopy thanks to its underside’s double quilted stitch work 4 modes for newborn and toddler use: bassinet, travel system, rear and forward facing seats true flat sleeper seat allows for laid back lounging

one hand, 5 position reclining backrest with flat recline quick release wheels make for an ultra compact fold, with seat on or off trolley function when folded quick-click automatic fold lock progressive suspension technology gives a nice, smooth ride ball bearings within the front and back wheels provide smooth maneuverability 3 or 5 point, anti-loop, height adjustable buckle system adjustable calf support with integrated footrest oversized, protective UPF 50+ canopy with removable, flip out eyeshade & integrated mesh panels large storage basket with zipper compartment divider lockable front swivel wheels one-touch central braking system front and rear wheel progressive suspension technology absorbs all bumps, crunches and hops for a smoother ride side impact protection for ultimate baby safe keeping true lock™ installation makes set up swift, simple and above all – safe crumple zone within the stability leg absorbs impact and minimizes force to baby

heavy duty shell is super resilient yet ultra lightweight comfy infant insert is removable for growing babies removable, full coverage two position canopy with flip out eyeshade installs rearward facing in a snap with the PIPA’s basechandeliers castlevania lightweight carry handle is ergonomically designed to tote with easechandelier baza cercei ideal for city living and taxis as it can be installed with a vehicle seat belt – no base neededchandelier arpege aircraft certified to travel everywhere and beyond exclusively inclusive to the JETT collection perfect for travel as it is approved for overnight sleeping connects easily to MIXX stroller without adapters for a sweet stroll luxe hand-sewn leather-look carry handle

incorporated dream drape™ provides extra protection from the elements folds down flat for easy storage and quick trips oversized, protective UPF 50+ canopy with removable, flip out eyeshade customizable comfort thanks to integrated ventilation panels top cover keeps baby warm and is easily removable with quick release magnets non-slip feet line the bottom surface for added security and fabric protection soft mattress cover and top cover are machine washable for added cleanliness incorporated storage pocket is cleverly discrete Showtime's Shameless returned for its sixth season on Sunday as frustrating as ever. "I Only Miss Her When I'm Breathing" featured more predictably appalling behavior from Frank (William H. Macy), the release of Carl (Ethan Cutkosky) from juvenile detention, and a seriously questionable decision from Debbie (Emma Kenney), who's slid so far down this slippery slope of hers that she no longer resembles the intelligent character she used to be.

She is so determined to be in love, so determined to be part of a loving, normal family, that she not only lied to Fiona (Emmy Rossum) about being pregnant, but she didn't see the panicked look on the face of her baby daddy, which telegraphed that he was about to bail. All of these things feel par for the course for the Gallaghers, though, as they have never been what most would call sane or dignified people, but there's one storyline hiding behind the rest that's far more upsetting: the final breakup of Ian and Mickey.There was a time that Ian (Cameron Monaghan) and Mickey's (Noel Fisher) relationship was the best-written, most emotionally-affecting same-sex relationship on TV, but it took a long time to reach that level. Their relationship was frequently broken as both men took from one another without considering the consequences or how their actions affected the other person. Their young relationship and the road to whatever qualified as happiness for the couple was thwarted quite often by Mickey's fear and reluctance to come out, something that Ian pushed for because he loved Mickey, but also because he was selfish.

Ian was comfortable in his sexuality, but Mickey couldn't accept that aspect of himself and it manifested as quiet self-loathing, no doubt a product of the environment in which he was raised. This internal conflict is what made his progression from violent and seemingly unfeeling thug to a real person you could empathize with a fascinating coming out story. But the journey was rarely pretty and the show's setting on the South Side of Chicago created boundaries that were hard to overcome. It wasn't until Ian left for a short stint in the army and another shorter stint as a dancer in a gay club that Mickey was finally able to accept himself and his feelings for the most complicated Gallagher. In a scene that featured a brutal beat down, this time with Mickey on the receiving end of his anti-gay father's violent blows, he came out to a bar full of people and the true beginning of Ian and Mickey's relationship appeared before them. It was bloody, but it was beautiful, the culmination of four seasons worth of story.

And now, just a little over a full season later, the one relationship on Shameless that felt like it had the potential to last the long haul, the relationship that gave Mickey the strength to stand up to his father is over, seemingly forever. Once it was revealed that Ian was bipolar (around the same time as Mickey's coming out in Season 4), the couple's relationship ultimately saw a role reversal. Mickey had become the selfish man pushing Ian to do something he wasn't ready or willing to do. His intentions were good, but potentially harmful, and with Ian questioning his existence and unwilling to accept this new truth about himself, it's probable that their relationship was always headed for this ending. Mickey didn't know how or understand what it meant to take care of someone who wasn't just bipolar, but who didn't want help, either from loved ones or through medication. And in the Season 5 finale, when Ian broke up with Mickey in what was for many fans a very unsatisfying moment between the show's longest-running couple, I accepted and supported it because Ian needed time to figure out how to accept this new version of himself.

If he ignored the issue, he'd never be able to maintain a stable relationship with anyone. Of course, their breakup went deeper than just Ian's diagnosis. Noel Fisher wanted the ability to work on other projects and wasn't ready to sign a contract for Season 6, so the writers created a storyline that would effectively write him out of the series for an indefinite period of time: Mickey was sent to prison for eight to 15 years for attempting to kill Sammi (Emily Bergl), a character most viewers will never miss. Now, trying to determine the path that Shameless will take in any given season is nearly impossible, and I won't be surprised if this isn't the last we'll see of Fisher, but as his character sat in prison on one side of the glass and showed off his misspelled tattoo that proudly declared his love for Ian but also proved that he still wasn't the man Ian needed, and Ian sat on the other side, detached and uncomfortable, it certainly felt like the final nail in the coffin of the Gallavich story. 

On the one hand, this outcome for Mickey is not entirely unexpected or even an unreasonable end for a character who still falls prey to his own inherent Milkovich-ness—for lack of a better term—from time to time. It's one of the things fans love about him, but his disregard for the law, tendency to resort to violence to solve his issues, and his inability to see the bigger picture is potentially problematic, and that will likely never change. On the other hand, it's also unfortunate because Mickey is one of the best characters Shameless has turned out over the years, in part thanks to Fisher, who made him a sympathetic and vulnerable man we not only cared about and loved, but a human being we wanted to see happy. Mickey probably didn't deserve this rushed ending, one that didn't allow for fans to mourn the loss of his character or his relationship with Ian, but from a narrative standpoint, this ending also had to happen for the sake of Ian's story.Still, it's okay to be angry or sad or frustrated with how things turned out between Ian and Mickey.

You can even accuse the writers for whatever disregard you think they have for two of the show's best characters. But here's the thing: it ultimately doesn't matter. Too often viewers fall victim to the idea that they're somehow owed something for the time they've invested in a TV show and its characters, but no one owes anyone anything. The only duty the writers have is to tell the best possible story for these characters, and there's no telling what may happen in future episodes, but right now Shameless is focused on telling this chapter of Ian's story and if it doesn't involve Mickey, then so be it. Because Ian is more than just his relationship or his love life. Being bipolar has changed everything for him, changed who he thought he was, and as hard as it is to accept that Ian's path has diverged from Mickey's when their lives were intertwined for so long, it's just a fact of life. Mickey's ending behind bars and Ian's new path is reflective not just of the reality these characters live in but of our own world.

Sometimes we make difficult decisions that benefit us but hurt others, and sometimes things don't turn out the way we like, but it happens. Frankly, Ian and Mickey, as addictive as they were, as much as they loved each other, weren't ready for a longterm, adult relationship. Even if Fisher had returned full-time this season and Mickey wasn't staring down a years-long prison sentence, neither he nor Ian were in a position to support one another. Their breakup was inevitable because they were rarely, if ever, on the same page. When someone takes and takes and gives nothing in return, eventually all that remains is ashes. Ian and Mickey burned fast and bright, and although I do think there's a real possibility for the characters to rekindle their romance at a later date should Fisher want to return to the show (and if/when both characters have grown and figured out what it means to be in a supportive relationship), right now this is how it has to be. Sometimes love isn't enough.

Shameless shines brightest in the darkest hours of its characters, and the series' dedication to telling the complex and frustrating stories of the Gallagher family is what often makes it a compelling series worth watching. The characters make poor decisions, they're impulsive, they're selfish, and they don't think ahead or about how their actions will affect those around them. But we watch and we hope that they'll learn from those mistakes so they can potentially become better people living happy, fulfilled lives in the end. So much about Shameless is about escaping and subverting expectations, and some people rise to the challenge and will hopefully come out on the winning end—like Lip (Jeremy Allen White), who's found success at college—while others will never rise above the shitty hand that life dealt them. And if Mickey remains in prison and he and Ian never reunite, it will hurt, but it will be realistic. All we can do is watch and hope that one day Ian, Mickey, and the rest of these characters find a way to make it through the bullshit.