The Stoned Immaculate is the sixth studio album by American hip hop recording artist Currensy. It was released through Warner Bros. Records on June 5, 2012.[6] This release was his first "major" release through Warner Bros. The album features guest appearances from Pharrell, Wiz Khalifa, Estelle, 2 Chainz, Wale, Marsha Ambrosius, Daz Dillinger, Big K.R.I.T., Fiend, Corner Boy P, Young Roddy, Trademark Da Skydiver, and Smoke DZA. Currensy officially announced the release of The Stoned Immaculate, this second release on Warner Bros, on November 11, 2011.[1] It was first set to be released in March/April 2012 but was pushed back to May 22 and finally to June 5. On March 10, 2012, Currensy announced he officially completed the album. Curren$y explained that ‘The Stoned Immaculate’ was more complicated to record than his previous albums and noted that he’s finished off past projects in only a few days. “Just from working with more people. I did more traveling than I usually do when I’m working on a project.

I did "Weekend at Burnie's" in Miami with Monsta Beatz in two days. With this one I moved around. I was in L.A. with Daz, in Miami with Pharrell, and I recorded some of the records in New York and shit. That’s really the only difference, the music and my mindset is still the same,” Curren$y told HipHopDX. As for working with legendary West Coast Artist & Producer, Daz Dillinger, Currensy explained "I tried to find Daz a few times on Twitter but that didn’t really work out. One time in a meeting with Warner [Bros. Records] I brought up his name and asked them to try find Daz for me. A couple days after the meeting I got his e-mail and we smoked, burned it down, made sure everything was cool and did some work." The title of the album comes from a track by American rock band The Doors off of their 1971 album release L.A. Woman. In the track, The WASP (Texas Radio and the Big Beat), lead singer Jim Morrison sings "Out here on the perimeter there are no stars/Out here we is stoned - immaculate."

On February 5, 2012 Currensy released a 5-track Mixtape titled "Here".[11] On February 28, 2012 Currensy released a 5-track joint-EP with Styles P. titled "#The1st28".chandelier hire bowral[12] On March 20, 2012 Currensy previewed 3 new tracks, "Sunroof", "Stainless", and "No Squares", live on Shade 45.chandeliers doji[14] On April 10, 2012 Currensy went on Toca Tuesdays to freestyle and promote the album.chandeliers oorbellen[15] The Album became available to pre-order on April 20, 2012 on Currensy's official website. Also, Currensy is holding an alternate Cover Contest and Tour Video Footage Contest on his official site with different available prizes.On May 31, Curren$y held an exclusive album live stream of his Webster Hall performance via YouTube, as he wraps up his 47-city long “Jet Life” tour.

The Stoned Immaculate received generally favorable reviews from contemporary music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 73, based on 16 reviews. The Stoned Immaculate is Currensy's highest charting album to date debuting at number 8 on the U.S. Billboard 200 chart with first week sales of 36,100 copies. The album also debuted at number 2 on the Top R&B/Hip-Hop Albums as well as the Top Rap Albums. As of November, 2015, the album has sold 93,000 copies.2012, the music video was released for "What It Look Like" featuring Wale.[20] On May 10, 2012, the music video was released for "Fast Cars Faster Women" featuring Daz Dillinger.[21] On June 5, 2012, the music video was released for "Capitol" featuring 2 Chainz.[22] On July 4, 2012, the music video was released for "Showroom".[23] On September 18, 2012, the music video was released for "Jet Life" featuring Wiz Khalifa and Big K.R.I.T..

[24] On November 11, 2012, the music video was released for "Chandelier".[25] On June 3, 2013, the music video was released for "Sunroof" featuring Corner Boy P.[26] The first single, "What It Look Like" (featuring Wale) was leaked on the internet on April 3, 2012 and released to digital retailers on April 10, 2012. The music video was released on April 7, 2012.[27] The song, "Fast Cars, Faster Women" (featuring Daz), was released along with a pre-order of the album on Curren$y's official website on 4/20, which served as a street single for the album. The official second single "Jet Life" (featuring Wiz Khalifa & Big K.R.I.T.) with production by Big K.R.I.T. was released via YouTube May 28, 2012. A Remix to "Jet Life" called "Dont Miss This Jet" featuring Young Jeezy and Lil Wayne was released on July 3, 2012. ^ The Stoned Immaculate ^ "Curren$y – Chart history" Billboard 200 for Curren$y. Retrieved August 8, 2012. ^ "Curren$y – Chart history" Billboard Top R&B/Hip-Hop Albums for Curren$y. Retrieved August 8, 2012.

^ "Curren$y – Chart history" Billboard Top Rap Albums for Curren$y. Retrieved August 8, 2012.Action Bronson has both the deep imagination and wicked humor required to make his outsized persona as engrossing as it is singular. On paper, the Queens rapper's mixtape with fellow old-school N.Y. revivalist Alchemist should have no trouble living up to expectations.Action Bronson and the Alchemist are an obvious pairing. Both revive and tweak classic New York rap, and are expertly good at doing so. Some things just make sense, and this is one of those things -- or at least you'd think it would be. On paper, their collaborative mixtape Rare Chandeliers should have no trouble living up to its expectations, but in practice it reveals cracks in Bronson's highly tailored aesthetic. Bronson's profile has ballooned this year thanks to Blue Chips, his March mixtape with producer Party Supplies. It's funny now to think that just a year ago, it seemed like Bronson would never be able to shake those Ghostface comparisons.

But on Blue Chips he fleshed out his own character, one that acts like Tony Soprano, travels like James Bond, and eats like Frank Bruni. Bronson's world is a carefully constructed fantasy, but he has both the deep imagination and wicked humor required to make the persona as engrossing as it is singular. It is no surprise that in the past year, Bronson has found a kindred spirt in Riff Raff, rap's foremost ridiculous yet rewarding character. Blue Chips was Bronson's breakout, but if there's one thing that Rare Chandeliers makes clear, it's that Party Supplies' production had a crucial hand in why that album was a clear step up. The Alchemist's beats on Rare Chandeliers are perfectly good, but they do little to amplify Bronson's character. Blue Chips was sourced using samples ripped straight from YouTube and the slapdash, madcap production almost imagined Bronson as the star of his own blaxploitation film, which is what the cover of Rare Chandeliers aims to evoke. It was also the perfect fit for a rapper who spits punchlines as they come -- the track "5 Minute Beats 1 Take Raps" served as the album's unofficial motto.

In spirit (though not quite sound), the production was an outgrowth of the two's deliriously fun "Contemporary Man," a one-off song where Bronson freestyled over a succession of 80s pop hits. Five-minute beats isn't the Alchemist's style, and the precision here too often zaps Bronson's character of its color, in turn sapping the music of fun. There has always been a nastiness to Bronson-- especially towards women-- and that unfortunately gets played up on Rare Chandeliers, an album that is both darker and more stately in tone. The Bronson here is one who lurks in shadows, alleys, and cigar lounges and possesses little of the awareness of others displayed on Blue Chips joints like "Hookers at the Point" or "Thug Love Story 2012". The line between jokester and asshole is a blurry one, and on a track like "Demolition Man", you get the sense that maybe Bronson is starting to believe his own illusion. There are times, though, when the duo strike gold; unsurprisingly, it's when they loosen things up and play with structure.

"Randy the Musical" flips through three beats in four minutes, all of which feel like they were played by a live band. "Eggs on the Third Floor" likewise switches halfway through into a mimed cypher, which is essentially the ideal setting for Bronson's style of rapping. That's not to say that every Bronson song needs to be pull the rug out from under itself after 90 seconds, but that he's at his best and when his beats pump him with energy. Unfortunately, that doesn't happen enough here. Of course, there are also songs like "The Symbol" or "Modern Day Revelations", where the very simple formula of "great beat plus great rapping" spits out enjoyable results. Relying on that formula shouldn't be a problem in of itself, but that easy repetition can soon offer diminishing returns. It is the same path that made one Curren$y EP indistinguishable from the next. Rare Chandeliers offered itself as genius meeting of minds, and the album's core quality speaks precisely to the level of talent involved.