Architect Clarence Randall Van Buskirk designed Ebbets Field with an emphasis on aesthetic details like marble tiling and chandeliers, differentiating the Dodgers' ballpark from other stadiums in the country. Shot of Ebbets Apartments, formerly Ebbets Field. Ebbets Field was the home of the Brooklyn Dodgers, where Jackie Robinson played. This picture was taken in 2007. During the first half of the twentieth century, Brooklyn, New York was the home of the proud Ebbets Field, a major league baseball stadium reminiscent of a modern Roman coliseum. Every baseball season, the Brooklyn Dodgers would suit up and prepare for battle against formidable foes in the pursuit of greatness, and loyal spectators would cheer their dear Dodgers towards victory. Throughout the years, Ebbets Field and the diverse populations that frequented it witnessed incredible triumphs on the baseball diamond, including one of the most important achievements in African American history.Located in the Flatbush neighborhood of Brooklyn, Ebbets Field was constructed in 1913, costing $750,000 to complete.

Its home team was the Brooklyn Robins, renamed the Brooklyn Dodgers in 1932 . Interest in the Dodgers increased exponentially, requiring constant reconstruction of its stadium so that it accommodated fans from diverse backgrounds and ethnicities. In essence, the Brooklyn Dodgers were the archetypal baseball team of a “New America,” representing an ever-expanding population of New Yorkers. In 1947 the General Manager of the Dodgers, Branch Rickey, placed Jackie Robinson, a black man, on the Dodgers’ roster, making him the first African American to ever break the color barrier in Major League Baseball. Robinson undoubtedly faced incredible levels of racism during the beginning stages of playing for the Dodgers, but in Robinson, Rickey found a player “with the guts not to fight back.”  During the years he spent with the Brooklyn Dodgers playing in Ebbets Field, Robinson proved that limitations could be transcended, opening the doors for other African American baseball players to soon join the major leagues years before Brown vs. Board of Education legally outlawed segregation.

The Dodgers were moved to Los Angeles in 1957, leaving an empty, decrepit baseball diamond in the middle of Flatbush that was finally demolished in 1960.  To this day, the site of the former Ebbets Field is nothing but rubble, with housing projects built over the remains of the stadium.  It is said by some that the state of Ebbets Field today is an “American tragedy,” and one can only wonder if anyone will ever endow the site with a reminder of all the great accomplishments that took place there. This entry contributed by a Columbia University student enrolled in Art History W3897, African American Art in the 20th and 21st Centuries, taught by Professor Kellie Jones in 2008. Historic View of Ebbets Field Shot of Ebbets Apartments, formerly Ebbets Field Historic Photo of Jackie RobinsonUSS Hughes (DD-410) is listed in the official report as being present for the surrender, but according to the ship's deck log was crossing the international date line en route to Japan at the time.

A different ship, USS Charles F. Hughes (DD-428), was sweeping mines that morning. At 10:27 the ship passed Ashika Light. At 10:30 the war ended. At 10:44 the ship made preparations for entering the port and anchored at 12:21 in Tokyo Bay. For the film, see The Mod Squad (film). For the tag team, see The MOD Squad (professional wrestling). chandelier ulubFor the NASCAR racing division in the Northeast with the nickname, see Whelen Modified Tour.chandelier equitation plastique The Mod Squad is an American crime drama series that ran on ABC from 1968 to 1973.visual comfort ziyi chandelier[1] It stars Michael Cole as Peter "Pete" Cochran, Peggy Lipton as Julie Barnes, Clarence Williams III as Lincoln "Linc" Hayes, and Tige Andrews as Captain Adam Greer.

The executive producers of the series were Aaron Spelling and Danny Thomas. The iconic counterculture police series earned six Emmy Award nominations, four Golden Globe nominations plus one win for Peggy Lipton, one Directors Guild of America Award, and four Logies.[3] In 1997, a 1970 episode "Mother of Sorrow" was ranked #95 on TV Guide's 100 Greatest Episodes of All Time. The main cast in 1971 from left: Clarence Williams III, Peggy Lipton and Michael Cole They were The Mod Squad ("One black, one white, one blonde"), the hippest and first young undercover cops on TV.[5] Each of these characters represented mainstream culture's principal fears regarding youth in the era:[6] long-haired rebel Pete Cochran was evicted from his wealthy parents' Beverly Hills home, then arrested and put on probation after he stole a car; Lincoln Hayes, who came from a family of 13 children, was arrested in the Watts riots, one of the longest and most violent actual riots in Los Angeles history;

flower child Julie Barnes, the "canary with a broken wing,"[7]:64 was arrested for vagrancy after running away from her prostitute mother's San Francisco home; and Captain Adam Greer was a tough but sympathetic mentor and father figure who convinced them to form the squad. The concept was to take three rebellious, disaffected young social outcasts and convince them to work as unarmed undercover detectives as an alternative to being incarcerated themselves. Their youthful, hippie personas would enable them to get close to the criminals they investigated. "The times are changing," said Captain Greer. "They can get into places we can't." Examples included infiltrations of a high school to solve a teacher's murder, of an underground newspaper to find a bomber, and of an acting class to look for a strangler who was preying on blonde actresses. More than a year before the release of the film Easy Rider, The Mod Squad was one of the earliest attempts to deal with the counterculture. Groundbreaking in the realm of socially relevant drama,[2] it dealt with issues such as abortion, domestic violence, student protest, child neglect, illiteracy, slumlords, the anti-war movement, soldiers returning from Vietnam, racism, and the illegal drug trade.

[10] Spelling intended the show to be about the characters's relationships and promised that the Squad "would never arrest kids...or carry a gun or use one." The show was loosely based on creator Bud "Buddy" Ruskin's experiences in the late 1950s as a squad leader for young undercover narcotics cops, though it took almost 10 years after he wrote a script for the idea to be given the greenlight by ABC Television Studios. The shows Star Trek (1966–69), I Spy (1965–68), The Bill Cosby Show (1969–71), Room 222 (1969-74), Mannix (1967-75), Mission: Impossible (1966-73), Julia (1968–71), The Flip Wilson Show (1970–74), and The Mod Squad (1968–73) were among the first programs to feature African-Americans as stars since the stereotyped roles of Amos ’n’ Andy and Beulah (ABC, 1950–53).[11] Significantly, The Mod Squad presented an African-American character (Linc) as being on an equal footing, as roles went, to the Caucasian characters (Barnes and Cochran). In one Mod Squad episode, the script called for Linc to give Barnes a "friendly kiss."

Since the first interracial kiss on an American television show was in 1967, this was still fairly new territory in popular culture.[12] The studio was frightened of a negative public reaction, so they asked Spelling to cut it:[7]:67–68 "You can't do that," I was told. "You can't have a black man kissing a white girl." I won and ABC agreed to let it in, but they warned me I'd receive thousands of complaint letters. I didn't get one. Linc's famous "solid" and "keep the faith" were among the current-day slang used on the show, which included "pad," "dig it" and "groovy." The "kids" traveled in Pete's famous "Woody," an old green 1950 Mercury Woodie station wagon that was burned up by an arsonist during the second season. Among the series guest stars were Spelling's ex-wife Carolyn Jones, Leslie Nielsen, William Windom, Ed Asner, Vincent Price, Sammy Davis Jr., Andy Griffith, Richard Pryor, Lee Grant, Richard Dreyfuss, Jo Van Fleet, Tom Bosley, Danny Thomas, Tyne Daly, Martin Sheen, Louis Gossett, Jr., Sugar Ray Robinson, Billy Dee Williams, Cleavon Little, Barbara McNair and Rodolfo Hoyos, Jr., in three episodes.

Main article: List of The Mod Squad episodes In the U.S., MeTV reran the series from May 26, 2014 to August 29, 2014 and again on Sunday afternoons from January 4, 2015 to August 30, 2015. A television pilot was shot in 1968, with a running time of 74 minutes, but it was never aired in its entirety. The film was edited and aired as the show's first episode. A TV reunion movie, The Return of Mod Squad, aired on ABC May 18, 1979, featuring the entire original cast. In 1999, the series was adapted into a film of the same name by MGM starring Giovanni Ribisi, Omar Epps, Claire Danes, and Dennis Farina. The film was not a box-office success. CBS DVD (distributed by Paramount) has released the first two seasons of The Mod Squad on DVD in Region 1. On August 20, 2013, it was announced that Visual Entertainment had acquired the rights to the series (under license from Paramount) and would release season 3 on DVD on September 24, 2013. Season 4 would be released on October 1, 2013.

[15] In Canada, Season 3 was released on DVD a week earlier, on September 17, 2013, and Season 4 was released on October 8, 2013. Season 5 was released in Canada on November 19, 2013 and in the US on December 17, 2013.[17] A complete series set was released in Canada and the US on November 12, 2013. The TV series was developed into an unsuccessful feature film titled, The Mod Squad which was released in 1999. The Mod Squad is referenced by The Thing in "Chapter Three: Through The Negative Zone!" of Deadpool, Vol. 4 Issue #20: "’Hey, who wants a clobbering? I'm watching The Mod Squad." An additional editors note was attached to the reference which explained, "**Ed's Note: The Mod Squad was a popular TV show. TV was what people called YouTube in 1968." The Mod Squad was parodied during its debut season as "The Odd Squad" by Mort Drucker in MAD Magazine #127 (June 1969), and at the height of its third season by Marie Severin as "The Clod Squad" in Marvel Comics' SPOOF #1 (October 1970).