Chandelier - 12 Light - Cassie or 4 payments of with 12 Light Black Cassie - $350.00 This stunning french provincial pendant ceiling chandelier is made from a mixture of angel tears, spear prisms and baroque crystals. The center post is made from black glass giving it strong support while the black cups and crystals are acrylic. The metal arms are painted black with black beads running along each arm, and it comes complete with ceiling attachment. This chandelier is also suitable for use in the USA and Canada by using either Australian E14 globes, or E14 to E12 converters, which  are available in our store. Always Free Shipping within Australia Check out the inside of our store Learn More » Don't miss the next event Learn More » Join Our Email List Get up to date information Learn More »Compare rock crystal chandelier parts, keco crystal is work on rock crystal for chandeliers Pujiang Keco Industrial Co., Limited US $1-50 10 Pieces Transaction Level

Chandeliers & pendants (11) One of the most iconic and traditional forms of lighting, chandeliers are often associated with wealth and opulence and thought to be found in great stately homes and palaces. Today, however, things are a little different with many former luxuries now being available to all of us. Just check out the range of chandeliers available at Homebase to see what we mean. It's possible to have your very own crystal chandelier with us.From our beautiful chandeliers to practical fluorescent lighting strips, we have all the lights you could ever need. There are both traditional and modern chandeliers to choose from; suiting any design style in your home. Traditional chandeliers, like a brass chandelier, work well with classic design themes and colours. Rich reds, greens and blues suit this style well, and create the impression of a lavish living space from the Regency, Victorian or Edwardian period. Antique chandeliers are another affordable option which let you complete the look without spending a fortune.

Of course, as well as chandeliers, we also have a range of more practical lighting. Our ceiling and wall lights are available in a range of contemporary designs to suit all needs. You can also get floor lamps and desk lamps to create a lighting scheme that creates a warm and welcoming feel in your home. Have a look at the huge range of lighting available online or in store at Homebase today and get everything you need to light up your home in style.chandeliers for hire in pretoria Shaver Light - Chromechandeliers domayne Floral and Plain Linen Shade 5 Light Pendantchandelier advogados Coffee Bean Pendant - Chrome “Hardly anyone goes in there and the have a ton of frames, paper, pens and office things.” “In addition to all of the art supplies they carry (an artiste I'm not) they have a great selections of pens, pencils, cards and journals.”

“Lots of good gift options here, including different and unique greeting cards.”Bruno Mars and Lady Gaga will Perform on Saturday Night...The requested URL /index.php?/albums/3/ was not found on this server.By Kevin J. Kelley Vermont artist Adelaide Murphy Tyrol appears well balanced. And yet she works in two worlds so different, they seem capable of inducing schizophrenia. In Career No. 1, Tyrol is co-owner of Oliphant Studio, a scene-painting company in Manhattan’s Flatiron District. It operates in overdrive, with Tyrol and her business partner of 30 years, Sarah Oliphant, turning out large-scale backdrops on short notice for publications such as Vogue, the New York Times, Rolling Stone and, just last week, Time magazine, for a spread on Tea Party celebs. The duo also does work for some of the hippest names in fashion — Donna Karan, Alexander McQueen, Oscar de la Renta, Baby Phat — and music stars including Lauryn Hill, Britney Spears, 50 Cent and Shania Twain.

At Oliphant, Tyrol uses a big-bristled brush attached to a 3-foot-long bamboo stick to sling acrylic paint onto vast canvases stapled to the floor. “It’s a blast,” she says simply. “This work is a celebration of paint,” Tyrol notes in a written statement about her aesthetic odyssey. “Mixing, blending, splashing, pooling, dragging, sponging and spraying — all combine to create a physical and visual experience that satisfies and inspires me.” Career No. 2 has been unfolding since 1987 in a hilltop studio in Plainfield. Here, where she now spends seven weeks out of eight, Tyrol works on an intimate scale, composing ink-and-gouache illustrations of insects, plants and animals. The setting is conducive to concentration. From the second floor of the airy studio built by her husband, Montpelier businessman Brian Tyrol, she has a 360-degree view of fields and mountains. Manhattan seems much farther than 250 miles. “The subject matter of this commercial work is irrelevant;

it rarely has any significance for me,” Tyrol writes of her Oliphant job. But, in the case of her illustrations, she says, “The subject matter is of the utmost importance and the art that results is negligible; in fact, no one but myself ever sees the original work. It is scanned, sent digitally, and the illustration goes into a dark drawer. I never display it, sell it or show it to anyone.” Tyrol doesn’t qualify as the Emily Dickinson of central Vermont, however. While her originals remain unseen, anyone can view their reproductions in Northern Woodlands magazine, published in Corinth, as well as in a Massachusetts Audubon Society publication, the Barre-Montpelier Times Argus and 14 other newspapers in Vermont and New Hampshire. She’s had Vermont shows of her paintings of insects from the state entomology collection and stuffed birds in the Fairbanks Museum. Lately, Tyrol has devoted much of her time to what might be considered a third career — one that integrates the other two.

Propped against and hanging on the walls of her studio’s ground floor are large-scale oil and acrylic paintings of birds, plants, bugs and big, galumphing sea creatures. They’re composed with a naturalist’s exactitude but have expressionist flourishes and surreal, dreamlike arrangements. In these paintings, Tyrol is exploring points where the natural world and human actions intersect — or collide. “Hunt for the Giant Squid” shows a creepy critter that, Tyrol explains, can grow to 60 feet in length. The scale of its body, including tentacles that loop like ribbons, is convincingly conveyed on a 5-foot-long canvas, with a single gaping eye painted smack in the center. The swimming squid is surrounded by what appear to be thin chandeliers. Tyrol notes that they’re actually renderings of devices used to ensnare an aquatic oddity that suddenly seems vulnerable. A similarly sad scene is staged in “Zone of Influence.” On this large canvas, an octopus writhes in contortions that make it resemble a calligraphic character.

A yellow explosion on the seafloor seems to be the source of its distress. Yes, Tyrol explains, human predators kill octopi with sonar blasts that burst their eardrums. A subtle strain of eco-advocacy runs through these works. Tyrol’s art and illustrations aren’t politicized, however; she lets the botanical and zoological images speak poignantly for themselves. There’s actually a good-humored quality to her paintings, just as there is in the 56-year-old Renaissance woman herself. Tyrol comes from a Massachusetts newspaper family; her parents were editors of papers in Holyoke and Springfield, and her brother is a photo editor for the Anchorage Daily News. Tyrol might have chosen journalism, too, if not for a high school art teacher who, she recalls, “showed me something about myself that I didn’t know was there.” Tyrol majored in English and minored in art at the University of Vermont, and years later earned an MFA from the Art Institute of Boston. She has two children: a 17-year-old son who attends Twinfield Union High School and a 21-year-old daughter at UVM.